I have been enjoying Colleen Hoover as a bit of an Elin Hildebrand guilty pleasure. Without Merit was no exception. Amazon: “The Voss family is anything but normal. They live in a repurposed church, newly baptized Dollar Voss. The once cancer-stricken mother lives in the basement, the father is married to the mother’s former nurse, the little half-brother isn’t allowed to do or eat anything fun, and the eldest siblings are irritatingly perfect. Then, there’s Merit. Merit Voss collects trophies she hasn’t earned and secrets her family forces her to keep. While browsing the local antiques shop for her next trophy, she finds Sagan. His wit and unapologetic idealism disarm and spark renewed life into her—until she discovers that he’s completely unavailable. Merit retreats deeper into herself, watching her family from the sidelines, when she learns a secret that no trophy in the world can fix. Fed up with the lies, Merit decides to shatter the happy family illusion that she’s never been a part of before leaving them behind for good. When her escape plan fails, Merit is forced to deal with the staggering consequences of telling the truth and losing the one boy she loves.” This was a perfect diversionary read and nice brain candy. Haven’t found a Hoover that I didn’t like yet.
I needed something quick and painless after Demon Copperhead. French Braid by Anne Tyler was it. I didn’t love it, though. It was just blah and I felt bleak the whole time reading it. I don’t know if that was what Tyler intended, and, if so, she accomplished that. I can’t say I recommend this one, though, and I am a Tyler fan, generally. It was a quick read, though, so it had that going for it. Amazon: “The Garretts take their first and last family vacation in the summer of 1959. They hardly ever leave home, but in some ways they have never been farther apart. Mercy has trouble resisting the siren call of her aspirations to be a painter, which means less time keeping house for her husband, Robin. Their teenage daughters, steady Alice and boy-crazy Lily, could not have less in common. Their youngest, David, is already intent on escaping his family’s orbit, for reasons none of them understand. Yet, as these lives advance across decades, the Garretts’ influences on one another ripple ineffably but unmistakably through each generation.”
I haven’t read a Barbara Kingsolver book in a long time and Demon Copperhead was LONG. “Set in the mountains of southern Appalachia, Demon Copperhead is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Relayed in his own unsparing voice, Demon braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities. Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens’ anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can’t imagine leaving behind.” I ultimately slogged through this read and can’t claim I enjoyed the time…I just kept hoping it would end and skimming to the finish.
I was so excited to read another Colleen Hoover book that I pre-ordered It Starts with Us, the sequel to It Ends with Us. “Lily and her ex-husband, Ryle, have just settled into a civil coparenting rhythm when she suddenly bumps into her first love, Atlas, again. After nearly two years separated, she is elated that for once, time is on their side, and she immediately says yes when Atlas asks her on a date. But her excitement is quickly hampered by the knowledge that, though they are no longer married, Ryle is still very much a part of her life—and Atlas Corrigan is the one man he will hate being in his ex-wife and daughter’s life. Switching between the perspectives of Lily and Atlas, It Starts with Us picks up right where the epilogue for the “gripping, pulse-pounding” (Sarah Pekkanen, author of Perfect Neighbors) bestselling phenomenon It Ends with Us left off. Revealing more about Atlas’s past and following Lily as she embraces a second chance at true love while navigating a jealous ex-husband, it proves that “no one delivers an emotional read like Colleen Hoover” (Anna Todd, New York Times bestselling author).” (Amazon) While I didn’t love it at first, it grew on me as I went and I ended up enjoying Hoover’s plot again. She’s a solid chick-lit master.
I LOVE Dani Shapiro. Inheritance was one of my all-time favorites. Signal Fires was great, but not Inheritance good. “Signal Fires opens on a summer night in 1985. Three teenagers have been drinking. One of them gets behind the wheel of a car, and, in an instant, everything on Division Street changes. Each of their lives, and that of Ben Wilf, a young doctor who arrives on the scene, is shattered. For the Wilf family, the circumstances of that fatal accident will become the deepest kind of secret, one so dangerous it can never be spoken. On Division Street, time has moved on. When the Shenkmans arrive—a young couple expecting a baby boy—it is as if the accident never happened. But when Waldo, the Shenkmans’ brilliant, lonely son who marvels at the beauty of the world and has a native ability to find connections in everything, befriends Dr. Wilf, now retired and struggling with his wife’s decline, past events come hurtling back in ways no one could ever have foreseen. In Dani Shapiro’s first work of fiction in fifteen years, she returns to the form that launched her career, with a riveting, deeply felt novel that examines the ties that bind families together—and the secrets that can break them apart. Signal Fires is a work of haunting beauty by a masterly storyteller.” (Amazon) I do recommend this read, but it wasn’t quite 5-stars for me.
How could you not pick up a book titled The Bad Muslim Discount? I heard about this book by Syed M. Masood from a current parent at my school and then was sent the book by the parent as a gift. What a treat! “It is 1995, and Anvar Faris is a restless, rebellious, and sharp-tongued boy doing his best to grow up in Karachi, Pakistan. As fundamentalism takes root within the social order and the zealots next door attempt to make Islam great again, his family decides, not quite unanimously, to start life over in California. Ironically, Anvar’s deeply devout mother and his model-Muslim brother adjust easily to life in America, while his fun-loving father can’t find anyone he relates to. For his part, Anvar fully commits to being a bad Muslim. At the same time, thousands of miles away, Safwa, a young girl living in war-torn Baghdad with her grief-stricken, conservative father will find a very different and far more dangerous path to America. When Anvar and Safwa’s worlds collide as two remarkable, strong-willed adults, their contradictory, intertwined fates will rock their community, and families, to their core. The Bad Muslim Discount is an irreverent, poignant, and often hysterically funny debut novel by an amazing new voice. With deep insight, warmth, and an irreverent sense of humor, Syed M. Masood examines universal questions of identity, faith (or lack thereof), and belonging through the lens of Muslim Americans.” (Amazon) I very much enjoyed this novel and the differing perspectives. In addition, I haven’t read many books about Muslim Americans, so it was a “novel” subject.
I volunteer each year to be a Literature Circles mentor for Grade 6 students. That means I have to read some YA each year. The first book for this year was Ms. Bixby’s Last Day by John David Anderson. I had high hopes for this selection since it wasn’t myth or fantasy YA, which I really despise. However, I didn’t love the book along the way until the end when things sped up and came together. Amazon: “Everyone knows there are different kinds of teachers. The boring ones, the mean ones, the ones who try too hard, the ones who stopped trying long ago. The ones you’ll never remember, and the ones you want to forget. Ms. Bixby is none of these. She’s the sort of teacher who makes you feel like school is somehow worthwhile. Who recognizes something in you that sometimes you don’t even see in yourself. Who you never want to disappoint. What Ms. Bixby is, is one-of-a-kind. Topher, Brand, and Steve know this better than anyone. And so when Ms. Bixby unexpectedly announces that she won’t be able to finish the school year, they come up with a risky plan, more of a quest, really, to give Ms. Bixby the last day she deserves. Through the three very different stories they tell, we begin to understand what Ms. Bixby means to each of them—and what the three of them mean to each other.” Overall, this was fine, but not amazing for me.
I almost always enjoy books by Lauren Willig, Beatriz Williams, and Karen White (why does Beatriz always get the top billing with these). They are creative and interesting and I like the format. This one, as many of theirs, takes place in three eras: “2019: Andie Figuero has just landed her dream job as a producer of Mansion Makeover, a popular reality show about restoring America’s most lavish historic houses. Andie has high hopes for her latest project: the once glorious but gently crumbling Sprague Hall in Newport, Rhode Island, summer resort of America’s gilded class—famous for the lavish “summer cottages” of Vanderbilts and Belmonts. But Andie runs into trouble: the reclusive heiress who still lives in the mansion, Lucia “Lucky” Sprague, will only allow the show to go forward on two conditions: One, nobody speaks to her. Two, nobody touches the mansion’s ruined boathouse. 1899: Ellen Daniels has been hired to give singing lessons to Miss Maybelle Sprague, a naive young Colorado mining heiress whose stepbrother John has poured their new money into buying a place among Newport’s elite. John is determined to see Maybelle married off to a fortune-hunting Italian prince, and Ellen is supposed to polish up the girl for her launch into society. But the deceptively demure Ellen has her own checkered past, and she’s hiding in plain sight at Sprague Hall. 1958: Lucia “Lucky” Sprague has always felt like an outsider at Sprague Hall. When she and her grandmother—the American-born Princess di Conti—fled Mussolini’s Italy, it seemed natural to go back to the imposing Newport house Nana owned but hadn’t seen since her marriage in 1899. Over the years, Lucky’s lost her Italian accent and found a place for herself among the yachting set by marrying Stuyvesant Sprague, the alcoholic scion of her Sprague stepfamily. But one fateful night in the mansion’s old boathouse will uncover a devastating truth…and change everything she thought she knew about her past.” (Amazon) I stayed up late to finish and learn all the mysteries (which had kept me guessing), which I haven’t been able to do for a while because I’m always tired, so that’s the mark of a good story, certainly. I’d recommend this one.
While I hesitate to do it, I have to give Nora Goes Off Script by Annabel Monaghan five stars. I am certain it is not a life’s best book, but in this moment, I enjoyed the diversion so much that I have to do it. Amazon: “Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it’s her job. But when her too-good-to work husband leaves her and their two kids, Nora turns her marriage’s collapse into cash and writes the best script of her life. No one is more surprised than her when it’s picked up for the big screen and set to film on location at her 100-year-old-home. When former Sexiest Man Alive, Leo Vance, is cast as her ne’er do well husband Nora’s life will never be the same. The morning after shooting wraps and the crew leaves, Nora finds Leo on her porch with a half-empty bottle of tequila and a proposition. He’ll pay a thousand dollars a day to stay for a week. The extra seven grand would give Nora breathing room, but it’s the need in his eyes that makes her say yes. Seven days: it’s the blink of an eye or an eternity depending on how you look at it. Enough time to fall in love. Enough time to break your heart. Filled with warmth, wit, and wisdom, Nora Goes Off Script is the best kind of love story—the real kind where love is complicated by work, kids, and the emotional baggage that comes with life. For Nora and Leo, this kind of love is bigger than the big screen.” I’ll bet there are others of you who are looking for a feel-good right now. This book is it. Enjoy!
I am not sure how Fly Girl by Ann Hood ended up on my list, but I really enjoyed it. Amazon: “In 1978, in the tailwind of the golden age of air travel, flight attendants were the epitome of glamor and sophistication. Fresh out of college and hungry to experience the world—and maybe, one day, write about it—Ann Hood joined their ranks. After a grueling job search, Hood survived TWA’s rigorous Breech Training Academy and learned to evacuate seven kinds of aircraft, deliver a baby, mix proper cocktails, administer oxygen, and stay calm no matter what the situation. In the air, Hood found both the adventure she’d dreamt of and the unexpected realities of life on the job. She carved chateaubriand in the first-class cabin and dined in front of the pyramids in Cairo, fended off passengers’ advances and found romance on layovers in London and Lisbon, and walked more than a million miles in high heels. She flew through the start of deregulation, an oil crisis, massive furloughs, and a labor strike. As the airline industry changed around her, Hood began to write—even drafting snatches of her first novel from the jump-seat. She reveals how the job empowered her, despite its roots in sexist standards. Packed with funny, moving, and shocking stories of life as a flight attendant, Fly Girl captures the nostalgia and magic of air travel at its height, and the thrill that remains with every takeoff.” It was an enjoyable memoir, though there were a few times where she repeated information, which just seemed like poor editing (if only I had that job…). But overall, a good read, especially if you either like memoirs or Ann Hood.